Night of the Living Dead, directed by George Romero in 1968, is perhaps the most influential and significant zombie film of all time, but is it the finest zombie film of all time?Night of the Chicken: Poultrygeist Dead is a bad movie made by Troma. Its satire of the consumer society is funny.
A group of visitors explores the abandoned Templar monastery, awakening the blind dead, who can hear your heartbeat. A swarm of Templar zombie knights on zombie horses chases them across a meadow.
Zeder by Pupi Avati is a strange horror-drama with a unique take on the idea of zombie movies. It tells the story of a young writer who is trying to figure out what the K-Zones are and how they work.
White people are let in as refugees, and some of them end up adopting the most harmful parts of colonialism as their own way of life.
James Gunn's first film was a B-movie zombie/aliens homage called Slither. It suffers a little in terms of originality because of the parallels to another film on this list, 1986's Night of the Creeps, but it's still a fun film in its own right.
In Let Sleeping Corpses Lie, the living dead are brought up from the ground by a sonic radiation machine.
Juan of the Dead infuses political fervor into the genre of zombie films by having the protagonist, Juan, establish a company that quickly gets out of hand.
A nurse travels to the Caribbean to care for a patient who may or may not be afflicted with the zombie plague and becomes caught in a voodoo cult-related mystery.
In Romero's second-to-last movie, Dennis Hopper plays a cruel plutocrat who rules a walled-off Pittsburgh. It's not as subtle as his other works, but it looks great and has Romero's rebellious spirit.
Planet Terror is a ridiculous zombie film directed by Robert Rodriguez and co-written by Quentin Tarantino about violent zombie/mutants generated by a biological weapon and unleashed on the southwestern countryside. The movie excels in its genre and should have done much better financially.
Cemetery Man is an experimental horror art-comedy about a cemetery caretaker who drifts through life without purpose and questions why he bothers carrying out his duty. It's almost like American Psycho because the main character has no hope and doesn't know who he or she is.
28 Weeks Later is an exciting, horrifying, powerful, and frustrating zombie/horror film, but it breaches one of the unwritten rules of zombie filmmaking by having a "primary zombie" who escapes and deprives the other infected of being considered as real threats.
One Cut of the Dead is a cute zombie film about actors trying to broadcast a zombie short film live on television.
Hammer Horror was responsible for the creation of such classics as Dracula, Frankenstein, and The Mummy, in addition to Plague of the Zombies. Their zombies resemble those seen in Night of the Living Dead; they are rotting and horrifying.
The horror-comedy Dead Alive by Peter Jackson features a room full of zombies and a lawnmower that continues to operate despite being choked with 1,000 gallons of blood.
Dawn of the Dead, by Zack Snyder, is a contemporary zombie thriller with less fat and more action and brutality. One of the finest openers to a zombie movie ever.
Zombieland is comedy that relocates the action to the United States and brings together survivors who are strangers to one another rather than a group of pals. It has truly terrifying zombies and strikes a near-perfect mix between humorous violence and character-driven fun.
Pontypool is an intellectual and ethereal reimagining of the term "zombie." It's a film that I admire much for choosing the difficult path, and it's a critique of humanity's incapacity to properly connect and debate relevant, truly vital matters in the twenty-first century.
Night of the Living Dead is the most impactful zombie film ever filmed.
Evil Dead 2 is a remake of the first Evil Dead film, and is one of the best, most tightly paced horror comedies ever. It's also indicative of the changing attitude toward zombies in film, view source as seen in this film.
Day of the Dead is my personal favorite of George Romero's zombie films, because it reintroduces science to the genre. Although Dawn is regarded more highly, Day of the Dead is my personal favorite.
Re-Animator revels in its scientific approach to reanimated corpses. Jeffrey Combs plays mad scientist Herbert West, who employs flashing green ooze to reanimate the dead.